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Designing Futures : Speculation, Critique, Innovation
The ability to imagine different possible futures and the will to influence the course of events are deeply human.These ideas about the future can also determine which of the many possible futures will become reality.Designing futures therefore means that by creating and communicating potential scenarios, you can shape the futures of your fellow human beings and influence the course of events.Design is becoming more strategic as a discipline, moving away from 'making things beautiful' to 'thinking creatively'.This book provides designers with the methods and tools they need to develop discussable and tangible scenarios.It also outlines ways for creative people, activists and decision-makers in politics, science and the wider society to imagine more desirable futures. - With over 500 illustrations. - Case studies from across the world. - Foreword by Riel Miller, senior fellow at the École des Ponts Business School, the University of Stavanger and the University of New Brunswick.
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Critique of Critique
What is critique? How is it used and abused? At a moment when popular discourse is saturated with voices confronting each other about not being critical enough, while academic discourses proclaim to have moved past critique, this provocative book reawakens the foundational question of what 'critique' is in the first place.Roy Ben-Shai inspects critique as an orientation of critical thinking, probing its structures and assumptions, its limits and its risks, its history and its possibilities.The book is a journey through a landscape of ideas, images, and texts from diverse sources—theological, psychological, etymological, and artistic, but mainly across the history of philosophy, from Plato and Saint Augustine, through Kant and Hegel, Marx and Heidegger, up to contemporary critical theory. Along the way, Ben-Shai invites the reader to examine their own orientation of thought, even at the moment of reading the book; to question popular discourse; and to revisit the philosophical canon, revealing affinities among often antagonistic traditions, such as Catholicism and Marxism.Most importantly, Critique of Critique sets the ground for an examination of alternative orientations of critical thinking, other ways of inhabiting and grasping the world.
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Can Science Be Witty? : Science Communication Between Critique and Cabaret
"Can science be funny?" takes a close look at an element of modern science communication that is as innovative as it is promising for the future: comedy!Readers are guided through vividly presented academic theory as well as exciting hands-on and best practice examples from renowned practitioners and cabaret artists:- What do sheep's cheese and car tires have in common?- Can laughter break down walls?- How does "Die Anstalt" work?- How does magic create knowledge?- Is there humor in museums?- When a Dalmatian comes to the cash register- Three steps to humor- Serving suggestion for the Holy Spirit- dictatorship of stupidity- And much more!But it's not all just funny.Comedy can also take away some of the biting sharpness of criticism, making it digestible, even palatable, for the addressees. "Can Science Be Funny?" navigates between criticism and cabaret, tackling comedy in various guises from different perspectives. 22 contributions show how the results of science, research and technology can be brought to the general public in new ways.In particular, they also demonstrate how humour can be used as a critical and questioning force - valuable for all types of communication and helpful so that they come across more shrewdly in the future. The translation was done with the help of the artificial intelligence (machine translation by the service DeepL.com).The text has subsequently been revised further by the original editors in order to refine the work stylistically.
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Critique Of Pure Reason: Kant : Critique Of Pure Reason
Critique Of Pure Reason: Kant : Critique Of Pure Reason
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Let's Talk about Critique : Reimagining Art and Design Education
This book explores the tradition of critique in art and design education.It examines how critique, as a signature pedagogy in the field, has evolved, how it falls short, and what else it can be.Current practices are contextualized and suggestions are made for ways to have more open, inclusive and dynamic classroom conversations about art and design.Included is a discussion of the history of critique, grounding current practice in the discipline’s history, the field of education, and characteristics of contemporary students. The book is designed to be useful, with an array of critique methods, written by experienced arts educators.Each one guides the reader through a method, describing “why you might do it this way” and “for what group, purpose, or type of assignment”.The text explores what the art critique is, and what it can be, offering practical, updated approaches for faculty and students seeking more educationally beneficial and nuanced critique
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Critique Of Pure Reason : Kant : Critique Of Pure Reason
A long-awaited new translation of an epochal philosophical text by two distinguished scholars
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Critique of Judgment
“Pluhar maintains a fine, even tone throughout. . . . Those who have found the prospect of teaching the third Critique daunting will admire its clarity. . . . No one will be disappointed.” —Timothy Sean Quinn, The Review of Metaphysics Contents:Foreword.Translator’s Preface. Translator’s Introduction. Critique of Judgment. Preface. Introduction. I. Critique of Aesthetic Judgment. II. Critique of Teleological Judgment. Appendix: Methodology of Teleological Judgment. Translator’s Supplement: First Introduction to the Critique of Judgment. Selected Bibliography. Glossary. Index
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Critique of Judgement
'beauty has purport and significance only for human beings, for beings at once animal and rational'In the Critique of Judgement (1790) Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic.He also investigates the validity of our judgements concerning the apparent purposiveness of nature with respect to the highest interests of reason and enlightenment.The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling.It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory.J. C. Meredith's classic translation has been revised in accordance with standard modern renderings and provided with a bilingual glossary.This edition also includes the important 'First Introduction' that Kant originally composed for the work.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe.Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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